Dress Design Indian Patterns Pakistani Online Wedding Games Software Neck: August 2014

Saturday, 30 August 2014

Beautiful Dress Designs Patterns indian Pakistani Online Wedding Games Software Neck

Beautiful Dress Designs Biography

source(google.com.pk)

Paloma Blanca is synonymous with beautiful bridal gowns and has earned a reputation for producing wedding dresses of exceptional quality with immense attention to detail. It was founded in 1937 as Blue Bird Dress by Harry Bernstein, and his work has been continued by his family through the generations. While other fashion designers have gained fame for being in direct opposition to traditional wedding outfits, Paloma Blanca continues to keep things simple and elegant with its stunning range of white, sleek, and ultra-flattering dresses. If you show up in a Paloma Blanca wedding dress, get ready for envious stares!

As we have already mentioned, Paloma Blanca likes to keep things traditional, and it doesn’t even give its gowns unusual names. Instead, each gown is given a number, and its quality does the rest. Below, we look at some of the hottest bridal gowns from its recent collections.

This particular wedding dress is ideal if you are looking for a stately look, as it is elegant, debonair, and chic. You could almost imagine a member of a royal family wearing something as gorgeous as this Italian Lace wedding dress with a cross-over strapless, pleated Taffeta tunic bodice. Style 4464 showcases the legendary Paloma Blanca attention to detail with the ruffle Organza skirt and mohair detailed edging. It comes with a sweep train and a beaded guipure lace bolero to complete the look of a princess.

So there you have it; Poloma Blanca continues to ride the wave of its wedding gown popularity and will do so for as long as it produces such scintillating bridal gowns. If you want a traditional wedding dress that turns heads and will be remembered forever, look no further than Poloma Blanca.

Vera Wang embraces the unconventional, so if you are expecting standard bridal gowns from one of the queens of fashion design, you will be disappointed! She is known for producing the unexpected, as previous bridal gown shows featured black wedding dresses, leather gloves, and pink-hued gowns. In other words, tradition be damned when Vera Wang begins to design her range of wedding dresses. In 2013, Wang’s bridal show involved wedding dresses entirely in red, with no white to be seen anywhere.

This is how Wang describes her Spring 2014 Bridal Collection, and in typical fashion, she produced typically untypical wedding dresses. This collection has nothing but black and white dresses, and they are modern, striking, and more than a little bit bold. According to Wang, these dresses contain a “little Audrey Hepburn” and are about “architecture and discipline.”

Instead of getting soft romantic looks, this particular collection takes the concept of bridal to a completely different level. Her spring collection contains dresses with a monochrome twist, and the famous black leather gloves make a reappearance along with understated strapless designs. Wang also includes delicate contemporary lace patterns and careful yet splendid usage of modern chic, such as v-shaped bodices. This deep V neckline dress is about as far away from the “blushing bride” as you are likely to find. Instead, it is a bridal outfit for a daring, independent woman with an extremely strong sense of self.

In a complete departure from the dramatic and independent look of the previous spring, Wang took her fall 2014 collection in a completely different direction once again. Gone are the black leather gloves and in come a more feminine, all-pink collection. This voluminous pink dress is one of our favorites because it looks as if it could be worn to almost any social occasion. Indeed, it is the kind of dress a bridesmaid could conceivably wear, but it still makes any bride look like she is positively glowing.

It appears like Wang wants pink to be seen as seductive, sophisticated, dreamy, cool, and strong all at the same time. There’s no doubt the magical machinations of her mind created yet another amazing collection. Few, if any, of the bridal gowns in this collection come close to “traditional” and seem to range from sleek and seductive to something a princess might wear.

Vera Wang has already introduced her spring collection for 2015 and surprise, surprise: she has come up with something entirely different yet again! One wonders where the queen bee of fashion designers gets her ideas, but her latest bridal gown edition is completely different than the softness of the fall 2014 collection. Fans of minimalism will love the slinky silk dress designs on show while there are also sleeved dresses adorned with floral patterns for those looking for simplicity and elegance. If you want to cause a stir at your wedding, try this sexy and revealing white wedding dress, but make sure you’re in peak condition!

If you want a bridal gown look no one else has, set your sights on a Vera Wang masterpiece in 2014.

It would appear the traditional white wedding dress is no longer the automatic choice for brides-to-be. Alternative colors, such as blue, pink, and especially red, are becoming the norm as women branch out in search of the ultimate look in stylish gowns. Naturally, many of the world’s finest fashion designers are leaping on this modern trend and producing sensational dresses. Below, we look at five of the leading red wedding dress designers.

She may well be the world’s most sought-after fashion designer, and Vera Wang continues to produce the goods. Since red wedding dresses are far from being traditional, it is hardly a surprise to discover this fashion designer working hard to create what is arguably the world’s best collection of red bridal gowns. Her finest work in this niche includes the “Kirsten” wedding gown and the “Katrina” strapless gown. Obviously, you better be prepared to pay a pretty penny to get your hands on a Wang masterpiece!

Although there have been red wedding dresses designed in the past, it seems as if the spring collections of many famous designers in 2013 were the first instances of this color dress becoming popularized. Red, of course, is a color with many different meanings around the world: In Japan, it is symbolic of happiness while in China it means luck or joy; in the United States, it is a symbol of love, and there is no greater expression of love than your wedding day!

Vera Wang is one of the most well known wedding gown designers out there. She has also designed other fashion including gowns for Michelle Obama and figure skating costumes for American Olympian Nancy Kerrigan. But when someone mentions the name “Vera Wang” most of us picture a beautiful flowing white gown, fit for a queen.

Vera Ellen Wang is a native of New York City. Her parents were first generation Chinese immigrants. As a child, Wang was a Figure Skater. She competed at the 1968 U.S. Figure Skating Championships. When she failed to make the U.S. Olympic team, Wang turned her focus to fashion design. She attended the University of Paris, and earned her art history degree from Sarah Lawrence College. By 1970, she was a senior fashion editor for Vouge Magazine.

In 1990 Vera Wang introduced her first bridal collection. In the same year she opened her first Bridal Salon on Madison Avenue in New York City. By 1997 The first “Vera Wang Bride: Barbie Doll” was released. By 1999, Vera Wang was designing for celebrities, most notably at the time, Victoria Beckham. By 2001, Wang published her first book entitled: “Vera Wang on Weddings”, and the very next year, launched her “Ready-To-Wear” collection. In 2005 she won the CFDA Award for Women’s Wear Designer of the Year.

By 2008, her second Barbie Doll debuted, entitled “The Romanticist Barbie, featuring a extravagant mermaid style gown. Other famous women who have sported Vera Wang bridal gowns include Ivanka Trump, Alyssa Milano, Chelsea Clinton, Alicia Keys, Lily Aldridge, and many others. She has since opened two more shops, and debut another Designer Barbie Doll. In 2011 She launched “White By Vera Wang” with David’s Bridal, which allows the general public access to her extraordinary designs.

Wang has also expanded into other areas of design including perfumes, housewares, men’s rental tuxedos, cosmetics, and of course other women’s’ apparel. She designs special occasion gowns for many celebrities and continues to expand her empire. She has even created “Vera Wang Love” a collection of engagement rings and wedding bands sold exclusively at Zales Jewelers.

Vera Wang has been categorized as one of the most successful wedding gown designers of our time. Her name is recognized by young women and girls around the world. As an icon in the design world, she sets a high standard for the fashion industry as a whole. Her designs are inspired by the glamour of old Hollywood. She describes her design style as “Romantic, Classic, and Whimsical fashion.” In her designs, Wang uses an array of specialty fabrics and laces composed in unique yet elegant designs. She also has been known to use soft color and embellishments to create an ethereal, feminine look. The bride that has always dreamed of wearing a “Vera Wang Gown” has the tastes of royalty, but with her ever expanding empire, today those gowns are more within her reach than ever.

Beautiful Dress Designs Patterns indian Pakistani Online Wedding Games Software Neck

Friday, 29 August 2014

Awesome Dress Designs 2014 Patterns indian Pakistani Online Wedding Games Software Neck

Awesome Dress Designs 2014 Biography

source(google.com.pk)
The mass production of beautiful and affordable bridal gowns was started by one dynamic couple: Alfred Angelo Piccione and his wife Edythe Vincent. With their dreams and drive, the Picciones made beautiful and fashionable wedding gowns available to all sorts of brides today.

Their story starts simply enough. Dissatisfied with the selection of affordable bridal gowns, Alfred and his wife Edythe began wholesaling bridal gowns in an attempt to provide inexpensive dresses that were affordable for the average bride. They opened their first shop on South Street in Philadelphia, PA in the early 1930s. Edythe began designing gowns in 1935 because the quality of the gowns they were selling didn’t measure up to the couple’s standards. However, custom gowns were often expensive, and most women could not afford them. Much like her husband, Edythe was talented and driven. Together they started creating their own line, choosing quality fabrics while still maintaining affordability and creating a mass production bridal gown manufacturing business in the process.

Their gowns were made out of quality material, and were offered in a wide range of sizes and styles (which they still are today). The dresses were made exquisite by adding beading, embroideries and embellishments. The Picciones entrepreneurial spirit brought them wide recognition when they were chosen to provide the wedding dress for a very young Elizabeth Taylor in the movie “Father of the Bride.” They both worked together to come up with clever giveaway campaigns that would continue to keep their burgeoning name in the spot light, although Alfred said his wife deserved the credit for the publicity campaigns.

In the 1960s, the couple’s children Vincent and Michele Piccione took over designing the gowns, adding more embellishments and intricate details to the gowns and offering more color choices to brides other than the standard ivory and white. The torch was officially passed off to Vincent and Michele in 1984, with Vincent as CEO and Michele as CCO. Since 1999, the head designer has been Michael Shettel. Shettel has introduced to the Alfred Angelo line the Dream Color collection, which allows a bride to choose between 55 different colors to add to a panel train, trim on a neckline, or sash to customize her gown to the color scheme for her wedding. In 2010, Alfred Angelo began collaboration with Disney to create princess-inspired wedding dresses based on the popular Disney princesses such as Snow White, Cinderella, and the Little Mermaid.

Through them, the company has achieved worldwide recognition. No longer solely focusing on bridal, they now design for bridesmaids, pageants, and prom. Alfred Angelo gowns are designed to make a woman feel beautiful for her most important day, whatever that day may be.

Amsale Aberra started her eponymous line with the idea of classic, refined beauty and even in ages and times of glamorous excess and abandon she bravely endures knowing that her dresses are the ones that will be around for generations to come. For Aberra it is a risk that has paid off time and time again but this year’s bridal spring fashion shows found other designers going hard on the themes of femininity and sexiness. The catwalks were filled with power walking models in dresses with flirtatious cutouts and sheer fabrics. The suspense was building over what Aberra would reveal as hemlines got shorter and necklines plunged deeper on neighboring runways but she resisted the pressure once more, as she always may, and hopefully this collection will stand as a testament to her principles.

There’s something about the Amsale Spring 2014 collection that just says to us: Princess Kate. Not in the showy, delicate, McQueen that she was married in but maybe the dress the English royal would have chosen had she not a grand ceremony and all the eyes of the world. The dresses are satin finished with much attention paid to shape and structure and like the Princess’s signature style each dress is girly but without being juvenile. Modesty would not be an issue with these gowns and with their tank styles or strap additions they keep things demure but also womanly. Most necklines are scoop, bateau or if there is the occasional sweetheart or v-neck it is offset by thick straps or much structure and support. While that can sound unappealing, Amsale pulls off the gesture with grace so the dresses do not look frumpy but rather coy instead.

The details to pay attention to in this collection are not in excessive beadwork or showy embroidery but rather in the luxurious fabrics and expert cuts. Most dresses will flatter an hourglass figure as they subtly cinch at the waist, follow the curve of the hip and flare slightly just above the knee. It feels like the most natural progression for any article of clothing and the tiniest of accents, such as a sash or a bow, is just the icing on this perfectly made cake. Some of the standouts of the collection are the ones who definitely play into this image of the grown-up girl but also do have some element of modernity to them. The addition of a shimmery skirt or sheer panel makes many of these dresses fashion forward but eternally timeless–and that’s a combination only Amsale can achieve.

Amsale Aberra, the Ethiopian born fashion designer behind the bridal line named after herself, is as beautiful as her gowns. She is a couture bridal wear and evening wear designer meaning her gowns can be seen everywhere from on royalty around the world to on the red carpet at the Country Music Awards. She is as versatile as her creations but she has a few guiding principles that she has always stuck to and will always set her designs apart from the rest.

Perhaps the best way to start telling Aberra’s story is to begin where she did: in New York. As is the case with many enlightened visionaries Aberra was more than disappointed by the choices available to her for her own wedding gown. She was looking for something simple, timeless and elegant which won’t be a surprise to any bride who has been wowed by an Amsale gown. She found that most of the gowns she saw were over adorned or overwrought. She knew the best fashionistas would not let themselves be worn by the gown and so she turned her tiny New York City loft into an atelier and began to churn out the elegant dresses that she has since become known for. Aberra knew then the importance of having a bride that would love her wedding dress for years to come and since then she has fused couture craftsmanship with refined archetypal silhouettes to create a bridal line that is the envy of every new york city bride and beyond. Together with Neil Brown, Aberra has taken those bridal gowns one step further by founding the Amsale group. After having worked on wedding gowns for many years she found that her tastes were not exactly changing as much as she was itching to experiment. In order to make those dreams a reality, three independent and exclusive bridal lines were launched under the heading of the Amsale group that are as different from each other as they are similar in their exceptional quality. While many brides are familiar with Christos and Kenneth Pool they might not know that both of these luxurious bridal lines can also boast of having the much sought after Aberra touch. This group also includes a bridesmaids collection which has the unique feature of allowing the bride or bridesmaid to select the fabric or texture of a gown to create one of a kind luxury bridesmaids dresses.

With so many options and such a rich history it’s hard to find a reason to leave the Amsale group out of your wedding planning!

Awesome Dress Designs 2014 Patterns indian Pakistani Online Wedding Games Software Neck

Saturday, 23 August 2014

Barbie dress design indian Patterns Pakistani Online Wedding Games Software Neck

Barbie dress design Biography

source(google.com.pk)
The theme of the convention was "Wedding Dreams," and appropriately it was held in Niagara Falls, the honeymoon capital, a setting of fierce natural beauty pimpled with fast-food joints and tawdry motels. The delegates were not newlyweds who had come to cuddle aboard the Maid of the Mist, poignantly hopeful that their union, unlike half of all American marriages, would last. They were not children, who had come to goggle at the cataract over which dozens of cartoon characters had plunged in barrels and miraculously survived. Nor were they shoppers attracted by Niagara's other big draw-the Factory Outlet Mall-where such brand names as Danskin and Benetton, Reebok and Burberrys, Mikasa and Revere Ware could be purchased for as much as 70 percent off retail.

They were, however, consumers, many of whom had been taught a style of consumption by the very object they were convening to celebrate. They had fled the turquoise sky and the outdoor pagentry for the dim, cramped ballroom of the Radisson Hotel. There were hundreds of them: southern ladies in creaseless pant suits dragging befuddled Rotary Club-member husbands; women in T-shirts from Saskatoon and Pittsburgh; stylish young men from Manhattan and West Hollywood. There were housewives and professional women; single people, married people, severely corpulent people, and bony, gangling people. A thirtysomething female from Tyler, Texas, volunteered that she had the same measurements as Twiggy, except that she was one inch wider in the hips. There were people from Austria and Guadeloupe and Scotland. Considering the purpose of the gathering, there were surprisingly few blond people.

These were delegates to the 1992 Barbie-doll collectors' convention, a celebration of the ultimate American girl-thing, an entity too perfect to be made of flesh but rather forged out of mole-free, blemish-resistant, non-biodegradable plastic. Narrow of waist, slender of hip, and generous of bosom, she was the ideal of postwar feminine beauty when Mattel, Inc., introduced her in 1959-one year before the founding of Overeaters Anonymous, two years before Weight Watchers, and many years before Carol Doda pioneered a new use for silicone. (Unless I am discussing the doll as a sculpture, I will use "she" to refer to Barbie; Barbie is made up of two distinct components: the doll-as-physical-object and the doll-as-invented-personality.) At other collector events, I have witnessed ambivalence toward the doll-T-shirts, for instance, emblazoned with: "I wanna be like Barbie. The bitch has everything." But this crowd took its polyvinyl heroine seriously.

Of course, people tend to take things seriously when money is involved, and Barbie-collecting, particularly for dealers, has become a big business. The earliest version of the doll, a so-called Number One, distinguished by a tiny hole in each foot, has fetched as much as $4,000. The "Side-part American Girl," which features a variation on a pageboy haircut, has brought in $3,000. And because children tend to have a destructive effect on tiny accessories, the compact from Barbie's "Roman Holiday" ensemble, an object no bigger than a baby's thumbnail, has gone for $800. While Barbie-collecting has not replaced baseball as the national pastime, it has, in the fourteen years since the first Barbie convention in Queens, New York, moved from the margins to the mainstream. Over twenty thousand readers buy Barbie Bazaar, a glossy bimonthly magazine with full-color, seductively styled photos of old Barbie paraphernalia. And twenty thousand is not an insignificant number of disciples. Christianity, after all, started out with only eleven.

In the shadowy salesroom, amid vinyl cases and cardboard dreamhouses, thousands of Barbies and Barbie's friends were strewn atop one another-naked-suggesting some disturbing hybrid of Woodstock and a Calvin Klein Obsession ad. Others stood bravely-clothed-held up by wire stands. Some were in their original cartons; "NRFB" is collector code for "never removed from box." Still others were limbless, headless, or missing a hand. "Good for parts," a dealer explained. Buyers, wary of deceitful dealers, ran weathered fingers over each small, hard torso, probing for scratches, tooth marks, or, worst of all, for an undeclared spruce-up. Even a skillful application of fresh paint can devalue a doll, as does hair that has been rerooted.